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After living for over two centuries, Augusto Pinochet is a vampire ready to die… but the vultures around him won’t let him go without one last bite.
Unearthly beings deliver bloody condemnations, sending individuals to hell and giving rise to a religious group founded on the idea of divine justice.
Unearthly beings deliver bloody condemnations, sending individuals to hell and giving rise to a religious group founded on the idea of divine justice.
Jack Conrad is awaiting the death penalty in a corrupt Central American prison. He is “purchased” by a wealthy television producer and taken to a desolate island where he must fight to the death against nine other condemned killers from all corners of the world, with freedom going to the sole survivor.
A former bounty hunter who finds himself on the run as part of a revamped Condemned tournament, in which convicts are forced to fight each other to the death as part of a game that’s broadcast to the public.
Fed up with her parents’ bickering, poor-little-rich-girl Maya (Dylan Penn) moves in with her boyfriend who is squatting in an old, condemned building on Manhattan’s Lower East Side. With neighbors that are meth heads, junkies and degenerates, this depraved hell hole is even more toxic than it appears: After a virus born from their combined noxious waste and garbage infects the building’s residents, one by one, they succumb to a terrifying pathogen that turns them into bloodthirsty, rampaging killers and transforms their building into a savage slaughterhouse.
Divorced and demoralized Amy Minsky’s prospects look bleak when she is condemned to move back in with her parents at the age of 35. Everyone wants to help, but, as her patience level with advice is plummeting, a bold teenage boy enters her life, igniting her last bit of self-esteem. What ensues is an unconventional love story infused with all the good things Amy needs to get on in life, and that just may include great sex.
Beauty and the Beast is the adaptation of a story by Madame de Villeneuve. Published anonymously in 1740 as La Jeune Américaine et les contes marins, it paints a portrait of Belle, a joyful and touching young girl who falls in love with the Beast, a cursed creature in search of love and redemption. In 1760, a condensed children’s version was published. It was from this version that Jean Cocteau and then Walt Disney drew their famous adaptations. Overshadowed, the original version by Madame de Villeneuve has never been adapted for the screen… until now!
When a girl named Jamie repeatedly tries to contact her grandmother to no avail, she investigates by going to her apartment in Omaha Nebraska – only to find that it’s been condemned and overtaken by possessed children. As she digs deeper, she discovers a dark secret about her grandmother and awakens a dark, demonic force that wants Jamie dead and will stop at nothing.
Wrongly condemned for killing his wife, a man finds himself in a mysterious institution where he is sentenced to relive her death for eternity.
Determined to restore her dying father’s reputation, Ana travels to the remote town of Rosales. Decades ago, he settled there and opened his first free clinic for cancer research. He launched an illustrious medical career – and fell in love. Ana plans to celebrate her father’s scientific and humanitarian achievements by transforming the old family mansion into a world-class museum. She will preserve his legacy, and also breathe new life into the forgotten Rosales. But the townspeople-now destitute and helpless-do not greet her warmly. Neither does the house.
The story of Nino Scotellaro, a Sicilian public prosecutor who devoted his entire life to fighting against the mafia and is suddenly accused of being one of the very men he has always fought against. After being condemned, and with nothing left to lose, Nino decides to pull off a Machiavellian revenge plan.
Defying the state legislature that outlawed abortion, the Catholic Church that condemned it, and the Chicago Mob that was profiting from it, the members of “Jane” risked their personal and professional lives to support women with unwanted pregnancies. In the pre-Roe v. Wade era — a time when abortion was a crime in most states and even circulating information about abortion was a felony in Illinois — the Janes provided low-cost and free abortions to an estimated 11,000 women.
For four outcast teens, summer detention means being assigned to clean their high school after a horrific incident. But they are not alone; a macabre gang wearing guises of The Four Horsemen Of The Apocalypse – Famine, Pestilence, War and Death – has locked them inside and is hunting them through the school’s ravaged hallways. As the four students battle to survive, each must confront the supernatural echoes of past traumas they have struggled to forget – and may be condemned to relive.
13 years ago, Jane Arcs was condemned to death after brutally killing her opponent in a underground street fight. Now, in just 24 hours, Jane will be executed for her crime. During her 13 years on Death Row, Jane has undergone a major evolution under the tutelage of a fellow inmate and Qi Gong Master Xin, learning the way of Qi Gong and ostensibly gaining supernatural abilities. As the day of her execution arrives, Jane embraces her punishment in the spirit of transformation. Max Stone, Jane’s boyfriend as well as correctional officer and part of the execution tie down team, has very different ideas. He is willing to do anything to save Jane. Will he kill others to save her life? Or will Jane help him to see the light and to let her go? The Way, climaxes as the essence of spirit collides with the raw power of desire, ultimately bring the audience full circle in seeing how both are essential to being human.
On the outskirts of the capital of Chad, determined single mother Amina works tirelessly to provide for herself and her 15-year old daughter Maria. When Amina discovers Maria is pregnant and does not want a child, the two women begin to seek out an abortion, condemned by both religion and law. In the process, mother and daughter forge a connection stronger than any they’ve ever known.
Someone downloads an app on your phone behind your back. It looks like an augmented reality game, but soon you realize it’s an App that connects you to the world of the dead, which allows you to see the dead through the camera of the phone. On the screen you see a countdown timer starting from 24 hours and before it reaches Zero, you have to download the App to someone else’s phone to earn 24 more hours. And you must do it every single day. What would you do? Would you continue passing this curse and condemning other people?
A CEO (Wilma Elles) from the world’s largest telecommunications company is about to expose secrets of how the left wing media uses movies to control the masses at the behest of their deep state overseers in the political arena. As her secrets are revealed through a series of live broadcasts, her former associates send private military contractors to assassinate her. She hires a condemned ex-Commando (Michael Paré) to keep her alive long enough to get her crucial message out to the world.
Higinio and Rosa have only been married for a few months when the Civil War breaks out, representing a serious threat to his life. Helped by his wife, they decide to use a hole dug into their own home as a provisional hiding place. The fear of potential reprisals and the love they feel for one another will condemn them to an imprisonment that will last for more than 30 years.
The powerful true story of Harvard-educated lawyer Bryan Stevenson, who goes to Alabama to defend the disenfranchised and wrongly condemned — including Walter McMillian, a man sentenced to death despite evidence proving his innocence. Bryan fights tirelessly for Walter with the system stacked against them.
In the town of Blithe Hollow, Norman Babcock is a boy who can speak to the dead, but no one besides his eccentric new friend, Neil, believes his ability is real. One day, Norman’s estranged eccentric uncle tells him of an important annual ritual he must take up to protect the town from an curse cast by a witch it condemned centuries ago. Eventually, Norman decides to cooperate, but things don’t go according to plan. Now, a magic storm of the witch threatens Blithe Hollow as the accursed dead rise. Together with unexpected new companions, Norman struggles to save his town, only to discover the horrific truth of the curse. With that insight, Norman must resolve the crisis for good as only he can.
Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.
A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people’s ailments. When the cellblock’s head guard, Paul Edgecomb, recognizes Coffey’s miraculous gift, he tries desperately to help stave off the condemned man’s execution.
A number of kidnapped and trafficked women find themselves imprisoned in a squalid medical facility. For Paula her continued survival relies on her basic human function. Escape, on any level, is seemingly impossible as the women are condemned to a life of enforced servitude at the whims of their captors; for one reason only – their milk.
As the unabashed cradle of Hollywood superficiality and smoggy urban sprawl, Los Angeles has long been condemned as a cultural wasteland. In the richly penetrating documentary odyssey City of Gold, Pulitzer Prize-winning food critic Jonathan Gold shows us another Los Angeles, where ethnic cooking is a kaleidoscopic portal to the mysteries of an unwieldy city and the soul of America.
Dissolute barrister Sydney Carton becomes enchanted and then hopelessly in love with the beautiful Lucie Manette. But Lucie loves and marries Charles Darnay, and remains oblivious to Carton’s undimmed devotion to her. When Darnay is ensnared in the deadly web of the French Revolution and condemned to die by the guillotine, Sydney Carton concocts a dangerous plot to free the husband of the woman he loves.
Unemployed and recently dumped, Mitch and his buddy Sam start a revenge-for-hire business to raise the $50,000 that Sam’s father needs to get a heart transplant. The dirty duo brings down a movie theater manager and hires hookers to pose as dead bodies during a live TV ad. When a wealthy developer hires the guys to trash a building (so that he can have it condemned), problems arise and a feud ensues.
Having finally secured her first assignment from her family’s demolition business, Sam Walczak (Mischa Barton) is sent to supervise the destruction of an apartment house, only to discover a group of tenants still living in the condemned building. One such tenant, Jimmy (Cameron Bright), tells Sam an urban legend about a serial murderer who used to live in the building and entomb his victims in the walls. What’s worse, the dead are believed to still harass the residents to this day.
In 1919, Mathilde was 19 years old. Two years earlier, her fiancé Manech left for the front at the Somme. Like millions of others he was “killed on the field of battle.” It’s written in black and white on the official notice. But Mathilde refuses to believe it. If Manech had died, she would know. She hangs on to her intuition as tightly as she would onto the last thread of hope linking her to her lover. A former sergeant tells her in vain that Manech died in the no man’s land of a trench named Bingo Crepescule, in the company of four other men condemned to die for self-inflicted wounds. Her path ahead is full of obstacles but Mathilde is not frightened. Anything is possible to someone who is willing to challenge fate…
A comedy from the golden age of Hollywood, based on an unfinished novel by Throne Smith. A witch and her sorcerer father who were burned at the stake by Puritans in the 17th century return to the present to haunt the descendant of the man who condemned them. Now Wallace Woodley is running for governor when a young beautiful witch step into his life.
A nomadic 16th century warrior, condemned to hell for his brutal past, seeks redemption by renouncing violence, but finds some things are worth burning for as he fights to free a young Puritan woman from the grip of evil.
After Marnie Watson kills her abusive husband in self-defense, she is condemned to house arrest… only to discover that the house is possessed by the enraged and violent spirit of her dead husband.
Dennis Rodman is on a mission. After forging an unlikely friendship with North Korean leader Kim Jong-un, he wants to improve relations between North Korea and the US by staging a historic basketball game between the two countries. But the North Korean team isn’t the only opposition he’ll face… Condemned by the NBA and The Whitehouse, and hounded every step of the way by the press, can Dennis keep it together and make the game happen? Or will it go up in a mushroom cloud of smoke? For the first time, discover the true story of what happened when Dennis Rodman took a team of former-NBA players to North Korea and staged the most controversial game of basketball the world has never seen.
Passengers on a ship traveling from Mexico to Europe in the 1930s represent society at large in that era. The crew is German, including the ship’s Dr. Schumann, who falls in love with one of the passengers, La Condesa. A young American woman, Jenny, is traveling with the man she loves, David. Jenny is fascinated and puzzled by just who some of the other passengers are.
Desperate to pay the bills and come through for their loved ones, three lifelong pals risk it all by embarking on a daring bid to knock off the very bank that absconded with their money.
Self condemned to the immense and boundless prison of the Mojave desert, Phoenix leads a life of forced isolation, living by himself in a house as far away as possible from the rest of the world. Phoenix does one thing and one thing only: he digs holes. Every month he digs a hole in the middle of nowhere and buries something. The last stronghold of society stands with the man that frequently delivers his mail. When one day the delivery doesn’t happen by the hand of his trustworthy mailman, but by that of the beautiful and quizzical Ariel, Phoenix’s life derails in an escalation that leads him to dangerous consequences which will be impossible to escape.
Akbar has just turned eighteen. He has been held in a rehabilitation centre for committing murder at the age of sixteen when he was condemned to death. Legally speaking, he had to reach the age of eighteen so that the conviction could be carried out. Now, Akbar is transferred to prison to await the day of his execution. A’la, a friend of Akbar, who himself has undergone imprisonment for burglary, soon after his release tries desperately to gain the consent of Akbar’s plaintiff so as to stop the execution
In an attempt to rebuild his marriage after the death of his son, Matt Hollis decides to take his wife and six year old daughter Lara on a trip of a lifetime to LA, to escape the constant reminders of their loss. Shortly after their arrival Matt’s world is turned upside down when his wife is attacked in their holiday home, leaving her in a coma and their daughter LARA kidnapped by a child trafficking ring. Hunted by the police who mistakenly believe Matt has absconded with his daughter, he must evade capture and pursue the criminals responsible for Lara’s abduction. Realizing he only has a 72-hour window of opportunity if he ever wants to see his daughter alive again, he enlists the help of Syan an old forces buddy, Matt tears a path of bloody vengeance through the streets of LA on a collision course with Lara’s captors.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
